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International Symposium,
2006
" Rediscovery of Waterfront Spaces in Central Italy−Case Studies of Parma
and Fontanellato"
Date: 15, Apr. 2006 (Sat) 13:00-17:00
Place: Large/medium meeting rooms, '80 Building, Ichigaya Campus of Hosei Univ.
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"Methodological Transformation of Architectural
Design and Research Studies in Italy"
Universita degli Studi di Parma, Architect,
Alberto Mambriani
The presentation was based on my researches and experiences as an architect
for 50 years.
The architecture is to create something new, by linking cities and
buildings through the dialogue between the present with the past. I
learned this through my teachers and my own experiences. For example,
one of my teachers, Carlo Scarpa renovated historical buildings with
artisans and created poetic spaces. From art works of Gaibazzi, I have
learned the importance to handle my works with subtlety and patience.
Villa Adoriana of Piranesi is noteworthy because it molded the idea
of the past into shape. The point of view of the past was reflected
to his etching works and drawings.
I have faced the past through conservation and renovation works. For
example, the renovation plan for a district of Parma aimed to lead
people to enter into the city by rearranging streets and renovating
buildings along the streets. One of the cases of restoration, was the
Fortress of Berceto, where the history of the castle was linked to
the renovation works. We can read the history from the ruin of the
castle, which had been gradually expanded, along with the technological
development. For a bank in Fontanellato, the external renovation work
was limited only to the details such as glass; however, the interior
was renovated with little restraint.
Among the works of Renzo Piano, the auditorium in Parma is one of the
remarkable examples of renovation of former milling factory. He utilizes
various materials specific for each place, and to create local-specific
architecture.
In addition, architects are required to consider landscape planning
for each architectural planning. For example, Gabetti&Isola planned
the house with wonderful integration with the road in harmony with
its surrounding environment in Olibetti. Another example of integration
of architecture and landscape is the court building of Alba.
My collaborative plan with Toni Follina for competition of Museum of
Ancient Egypt planned around Pyramid of Cairo, proposed a traffic line
toward the Pyramid, linking with the museum in harmony with the surrounding
environment.
Lastly, we will see the case of a park in the city core of Parma, which
was planned by Mario Botta. His plan initially included a huge building,
subjected to criticism by specialists including me, and was changed
into the one based on large open spaces. Now, the space functions as
a void space with trees planted in the location where the columns once
existed, evoking old memories of the site.
The case studies through history of recent 50 years of the Italian
architecture confirmed the close relationship with memories and environments.
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[Italian
Architecture 1 Etching by Piranesi] |
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[Italian Architecture
2 Restoration of Fortress of Berceto] |
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[Italian
Architecture 3 Renzo Piano, the auditorium in Parma (Renzo
Piano)] |
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[Italian
Architecture 4 Plan for a Residence in Olibetti and Surrounding
Area (Gabetti&Isola)] |
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[Italian
Architecture 5 Plan Submitted for Competition of Museum
of Encient Egypt(Mambriani et al.)] |
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[Italian
Architecture 6 Park in Parma(Mario Botta)]
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"Water City, Fontanellato−Historical Formation
of Spatial Structure−"
Graduate student of Universita degli Studi di Parma
Fedelica Ottoni
The waterfront space is one of the most important elements for contemporary
urban planning. The presentation will focus on the relationship between
the acropolis in Fontanellato located near Parma of northern Italy,
and its surrounding areas. In addition, the methodology of urban planning
will also be discussed.
The aim of this research was to make a renovation plan of the castle
as "Water Museum" based on the history of the city, through
reevaluation of the existing irrigation facilities. Firstly, we conducted
a field survey of the castle, and clarified its transformation process
according to the move of the canal flow. Based on the result of research,
we planned the Water Museum in the basement of the castle.
The castle of Fontanellato had always served an important role in controlling
surrounding areas; and the canal had been critical for the purpose.
Through the analysis of historical documents on the construction of
the castle, we showed the view of the castle along at that time along
with its surrounding environments. The San Vitales had governed the
land during six centuries; we studied the unreleased documents of Earl
of San Vitale to understand the development processes of their rules
and territories. By superposing old maps on current ones, we plotted
lost, remaining and newly built building elements on the map, such
as water mills, canals, and expressways. There was no map for the territory
of the San Vitales, we studied the move of the borderline between the
16th century and 1855 from literary document; and clarified that the
border is determined by river flow in each period. Canals and water
transportation not only limited territory of the San Vitales, but supported
economic activities of surrounding areas. Furthermore, it formed the
landscape of the area.
Canals were flowing around and inside of the town Currently, the canal
outside of the town was covered to become streets, but inside one still
flows.
The renovation plan of the castle was inspired by the remaining canal.
Through actual measurement of harbor and the basement of the castle,
we proposed an underground Water Museum, and new approach to the castle.
A dark room with a well and without window, was planned as a meeting
room. The library was planned in the core of the castle, as a place
where we would begin study of the place. Furthermore, the castle was
approached by a boat-shaped bridge (made of a real boat) from the canal,
back of the castle.
The plan fully utilizes the historical consideration over the castle
and surrounding environments; for the water museum, we evaluated the
natural environment around the castle and used the canal symbolically.
In other words, the plan focused on the canal hidden underground of
the castle and utilize the environment based on water.
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[Fontanellato
1 Water Network] |
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[Fontanellato
2 Acropolis] |
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[Fontanellato
3 Canal Flowing into Town] |
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[Fontanellato
4 Renovation Plan of Castle, Ground Plan] |
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[Fontanellato
5 Renovation Plan of Castle, New Approach to the Inside
of Castle]
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"Parma−Urban Formation from the Viewpoint
of Water−"
Universita degli Studi di Parma, Architect,
Marco Bennicelli
As illustrated in many drawings, Parma is composed of new area on
the left bank, old city dating back to Roman times on the right bank,
and the river between them.
In the Bronze Age, river level had been higher than today. The archeological
survey in 1864, clarified that residences had been built on the water
of the river in the Bronze age. The city was developed from the right
bank, which was higher and drier than the left bank.
Although a bridge was built over the river, the river flow was moved
to the left bank side because of the flood. As a result, the bridge
lost its original function. However, some remains of the bridge can
be seen when the water level is low even today. In the basement of
the buildings on the right bank, old bridge piers can also be found.
Because the river flow moved to the left bank through floods, the
urban area gradually developed on the side.
Three canals were flowing within the city. The transportation of
stone materials to build a cathedral or baptistry were transported
on these canals. The water flowing within the city was sometimes
considered to be divine and the canal water was used in the baptistry.
Furthermore, we can see that everyday life of citizens was close
to water from the pictures of 1800's; for example, river water ad
been utilized for laundry.
Each bank divided by the river reveals different social structure.
The major buildings like a cathedral, residences of aristocrats,
baptistries, etc. are lined along the river on the right bank originated
in the Roman times. On the other hand, houses of commoners and hospitals
are commonly seen on the left bank. The ancient documents described
that the right bank presented a rich space and people live poorly
in small houses on the left bank. Hospitals have long history characterizing
the towns on the left bank. Patients, poor people, people flooded
out from the right bank gathered in hospitals. However, the left
bank presented bustling spaces with the common touch.
We can see the palace spread over both banks of the upper portion
of the river in the map of 1592. A large garden was built between
the town area and the palace, around which water was flowing, dividing
the living spaces of commoners and noble spaces.
The river of Parma had a rapid current, and often caused flood damages,
especially to the left bank. The flood control has been one of the
critical issues for the citizens of Parma.
As we have seen, the river of Parma has affected the urban formation,
resulting in different cultures and values on both banks.
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[Parma
1 River flowing through City Center]
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[Parma
2 Old Bridge Piers in the Basement]
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[Parma 3 Baptistry]
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[Parma
4 Waterfront Scene]
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